Writing fiction about real people is a tricky business. I've been doing it for years, now--whether the subject is Jane Austen, Virginia Woolf, Allen Dulles or Queen Victoria--and I've developed a rule of thumb. If you're going to embroider the past, know the facts first. In the case of JACK 1939, that sent me to the Kennedy Library.
Properly speaking, it's the
John F. Kennedy Presidential Library and Museum, which sits at the edge of Columbia Point, overlooking Boston Harbor. When I stopped by recently, the wind off the water was like a gale, whipping my hair straight back from my head, as though the whole place were a ship putting out to sea. The obvious spaces of the massive building belong to the museum, where there's a theater and exhibit halls, a lunch place and a gift shop.
Victura, Jack's Wianno Senior yacht, is on display. But the archives--the documentary and visual holdings that pinpoint an entire life--are several floors above. You have to ask to enter the research elevator, and it helps to have emailed first for an appointment, but pretty much anyone can consult the reference librarians. You leave your personal belongings in a locker, choose a desk, and fill out a form listing the files you'd like to read. A helpful staff member brings you boxes of documents. And in the silence and the enormous view of water beyond the wall of steel and glass that overlooks the harbor, you begin to read.
It can feel almost indecent, this kind of access. There are letters scrawled in a childish hand, full of adventures and humor and boarding school loneliness. There are records of illness in a mother's careful copperplate. There are academic files--grades and lists of recommended reading, the comments of Harvard advisors--and a cache of love letters that detail a hectic few months following Pearl Harbor. There are also, of course, all the detailed memoranda of a presidency--but I wasn't looking for that. I was looking for the boy Jack once was. And he was there, in the archives.
I don't pretend to write biography and I'm certainly not rewriting history. But I take comfort and inspiration from facts. It helps to know from Jack's various passports that his eyes were sometimes called green, and sometimes hazel; that he was a messy roommate and a wild driver. I can imagine that guy. I can walk with him into nightmare, and believe he'll get us both back.
If you can, get to Columbia Point. Preferably on a windy day. The past is something you can touch.
Francine