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| Bonnet, mid-1880s, French, Virot |
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| Lillian Russell |
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| 1880 bonnet, Met Museum |
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| Met Museum 1892 |
Hats, which did not tie under the chin but rather had to be pinned to a lady's hair, hid almost nothing of the elaborate coiffeurs common to the late Victorian period.
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| 1885, Victoria and Albert Museum |
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| American, Met Museum |
Here are two of what I like to call coal scuttle hats--although their effect is diminished by the lack of curls piled high on the head. As these are made of heavier and darker materials , they were probably intended for cooler months and venturing out of doors.
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| 1894, Goldstein Museum of Design |
By the mid-1890s, hats had evolved to something a bit more fanciful--notice these summer confections meant to be pinned at a rakish angle over the brow, while the ribbons flirted coquettishly under the viewer's gaze.![]() |
| 1892, Met Museum |
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| Caroline Reboux bonnet 1870-1880 |
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| Evening hat, 1880, Met Museum |
For more images from THAT CHURCHILL WOMAN, visit the Pinterest board behind the novel.












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