It's May as I write this, and the dust of this drought-stricken state is already rising in little puffs about my feet as I walk my dog along the parched canal. When breaking out the shorts and the sunblock, it seems wise to cherish what has already been: The most beautiful April in recent memory. Everything came into flower at once at my house--the crab apple trees shown in the picture at left, the plum trees out back, the lilac and the tiny white stars of red-twig dogwood. Unusually for Colorado, no sudden fall of snow struck spring dumb. The kindness of the season has an ominous undertone--we all know that it's not normal, but as my younger son observed just last night, "It's hard to view sunny days as a natural disaster." His tone seemed to imply that if anybody could do so, however, it would be his mother.
He reminded me, in those few words, of a character straight out of Elizabeth Von Arnim. Just so did she skewer her most lovable people--with a comment that revealed far too much of their souls.
She's an author most people no longer recognize, although some would recall the 1992 movie made from her best-known book, The Enchanted April. I sat through it in a dream of sun-kissed scent, but I'm not going to talk about the movie here--the book is so much more rewarding in its acute celebration of human foibles, human hope, and the terribly human need to be loved. The time is the early 1920s; the subject is the dreariness of post-war England and the compulsion to escape; and the alternative is a remote and lovely castle on the Italian coast. Von Arnim sends four women of varying ages and degrees of personal desperation there for a month. Having got them under her writer's eye, she turns each of them inside-out, with a delicacy and finesse unequaled since Jane Austen.
If summer arrived too soon in your town, too, this year--try The Enchanted April. Short of buying a ticket on impulse for Portofino, it's the most delicious escape I know.
Stephanie
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Ah Frannie. Lovely. Miss you. Xox L
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